Showing posts with label plug in ICA. Show all posts
Showing posts with label plug in ICA. Show all posts

Wednesday, August 5, 2015

NNA TNT in WPG + WD RIP




















I've just learned that it's been 2 years to the day that singer songwriter Willie Dunn passed away. It was a massive privilege to have met him and to help share his music through the Native North America (Vol. 1) compilation on Light In The Attic Records. Tonight, we'll be honouring Willie's legacy w/ a screening of his National Film Board of Canada produced The Other Side of the Ledger: An Indian View of the Hudson's Bay Company (1972, co-directed by Martin Defalco). Joining us for the evening will be Shingoose (Curtis Jonnie) and David McLeod from NCI FM - The Spirit of Manitoba for a special Q&A. We will also be screening Duke Redbird's The Paradox of Norval Morrisseau (co-directed by Henning Jacobsen and featuring Shingoose). Please join us at Winnipeg's Plug In Institute of Contemporary Art for an celebration of music, art, film, discussion, and culture... PEACE

Monday, August 3, 2015

Album aims to give Indigenous trailblazers overdue recognition (Globe and Mail re-post)


























Laura Beeston
The success of Native North America (Vol. 1), a seminal compilation of nearly lost aboriginal folk, rock and country music from 1966-85, is being celebrated Aug. 5 at Winnipeg’s Plug In Institute of Contemporary Art. Album curator Kevin Howes, a Vancouver-based record archeologist, curator and DJ renowned for uncovering undocumented Canadian music history, is taking part in a discussion alongside indigenous singer-songwriter Shingoose. The event will also feature screenings of the documentaries The Paradox of Norval Morrisseau and The Other Side of the Ledger, the latter a critical examination of Hudson’s Bay Co.’s treatment of aboriginal peoples. “I think it will symbolically be an interesting and dynamic evening,” Howes says, noting that it’s taking place on the roof of the gallery, which has a direct view of HBC’s flagship store on Portage Avenue. “The relevancy of the messages in these songs, with their substance, depth, culture and soul [are] still very timely today,” he continues. “It’s resonating with people because so little has changed … and because there is a desire to appreciate, preserve and share this culture.” The compilation, issued by Seattle’s Light in the Attic Records, was long-listed for the 2015 Polaris Prize and aims to give Canada’s indigenous trailblazers some long-overdue recognition. It has proved popular – the album is going through its second print run.

*Re-post from http://www.theglobeandmail.com/arts/music/album-aims-to-give-indigenous-trailblazers-overdue-recognition/article25803130/